Main

July 1, 2005

grokster: US vs the world

Ben Hammersley points to the recent Supreme Court decision declaring grokster liable for the file swapping, torture in Abu Ghraib and all ills in the world.
Ben notes that US law may not apply elsewhere in the world, leaving other countries free to apply this technology in whichever way they conceive it is best.

However it is applicable to note that, in the past, countries such as the UK (and perhaps the USA, I don't know) have arrogated upon themselves the right to police and enact laws that might seem unjust in other parts of the world. One example that comes to mind is the old UK Admiralty law that allows the UK to render judgment al over the world on matters maritime (or something to that effect).

So, this is possible, and it has been applied before.

What Ben writes, though, is intrinsically correct: there are a whole lot of other countries out there that might understand that the benefit of having a new technology far outpaces the costly and draconian provisions designed to maintain an obsolete business model and an extremely inefficient industry afloat.

Case in point: we are paying US$20 per CD so Britney can choke herself on cocaine (not that Britney, the other one) and to sustain Dylan's rehab clinic costs. Really, what kind of industry thrives on the self-destructing habits of their stars? What is more, why should I, consumer, pay for that?

Up until very recently the entertainment industry has banked in precious few things: the oligopolic nature of the market, in which a very few companies control the content, the distribution channels.
But this happens because the state of communication on times past allowed only a very few select acts to make it to the fore, and the prohibitive costs of recording, pressing and then pushing through the radio and TV those selected acts meant that, in effect, the barriers to entry were, for all practical purposes, insurmountable: only a company willing to spend millions on a new singer will actually see money coming back to them.

What breaks that model? Well, we have more stars now, ie, less celebrities, and more quacks that display less talent than a band of monkeys. The recording houses have a dizzying array of low quality acts, and keep on publishing even more. Low standards for all, and therefore, discontent disillusioned consumers.

And we got broadband and an amazing way to share, look for, and publish the information that we like. Suddenly, the music industry model became a conversation, an old school market with participating agents and haggling and bargaining.

See, there is no point in trying to push Britney at $20 per CD, while allowing Liz Wright to languish unheard in a corner of the store. We, the audience, will inevitably gravitate towards quality.

Other thing, to which Cory Doctorow was pointing regarding his book and sources of income, is that if distribution of the work is not paid, the artist has to go out there and contact with the public, making the concert the point of confluence of spectators and artist, money coming from the experience of sharing that show with a bunch of other people. We regain the amphitheater, the pack of humans cheering at the artist. It is who we are.

In conclusion, to pretend that a single ruling may obliterate the technological and social pressures that have shaped sharing of content is naïve, harmful and dangerous.
It is naïve, because that is going to proceed no matter what, from corners of the world where simply it is to expensive to send Special Forces or "contractors" and mercenaries.
It is harmful, because it places American technology under the shackles of a few entertainment houses, the same ones that were unable to take advantage of the internet phenomenon, the same ones that eschew technology and place easy profits instead of their consumer. If the Supreme Court limits technological innovation in the USA, rest assured, somebody in Africa, Asia or Latin America is going to come up with the answer for a demand that will only grow.
It is dangerous because, in their zeal to protect the rights to Mickey Mouse, the Court is allowing companies to intrude, invade and trounce upon the rights of citizens - the Court effectively renouncing their role, and becoming facilitators for more invasions of privacy.

And in ten years, we will be seeing the grokster of the time in the stock exchange making a killing. Only that it won't be and American company.

grokster: US vs the world

Ben Hammersley points to the recent Supreme Court decision declaring grokster liable for the file swapping, torture in Abu Ghraib and all ills in the world.
Ben notes that US law may not apply elsewhere in the world, leaving other countries free to apply this technology in whichever way they conceive it is best.

However it is applicable to note that, in the past, countries such as the UK (and perhaps the USA, I don't know) have arrogated upon themselves the right to police and enact laws that might seem unjust in other parts of the world. One example that comes to mind is the old UK Admiralty law that allows the UK to render judgment al over the world on matters maritime (or something to that effect).

So, this is possible, and it has been applied before.

What Ben writes, though, is intrinsically correct: there are a whole lot of other countries out there that might understand that the benefit of having a new technology far outpaces the costly and draconian provisions designed to maintain an obsolete business model and an extremely inefficient industry afloat.

Case in point: we are paying US$20 per CD so Britney can choke herself on cocaine (not that Britney, the other one) and to sustain Dylan's rehab clinic costs. Really, what kind of industry thrives on the self-destructing habits of their stars? What is more, why should I, consumer, pay for that?

Up until very recently the entertainment industry has banked in precious few things: the oligopolic nature of the market, in which a very few companies control the content, the distribution channels.
But this happens because the state of communication on times past allowed only a very few select acts to make it to the fore, and the prohibitive costs of recording, pressing and then pushing through the radio and TV those selected acts meant that, in effect, the barriers to entry were, for all practical purposes, insurmountable: only a company willing to spend millions on a new singer will actually see money coming back to them.

What breaks that model? Well, we have more stars now, ie, less celebrities, and more quacks that display less talent than a band of monkeys. The recording houses have a dizzying array of low quality acts, and keep on publishing even more. Low standards for all, and therefore, discontent disillusioned consumers.

And we got broadband and an amazing way to share, look for, and publish the information that we like. Suddenly, the music industry model became a conversation, an old school market with participating agents and haggling and bargaining.

See, there is no point in trying to push Britney at $20 per CD, while allowing Liz Wright to languish unheard in a corner of the store. We, the audience, will inevitably gravitate towards quality.

Other thing, to which Cory Doctorow was pointing regarding his book and sources of income, is that if distribution of the work is not paid, the artist has to go out there and contact with the public, making the concert the point of confluence of spectators and artist, money coming from the experience of sharing that show with a bunch of other people. We regain the amphitheater, the pack of humans cheering at the artist. It is who we are.

In conclusion, to pretend that a single ruling may obliterate the technological and social pressures that have shaped sharing of content is naïve, harmful and dangerous.
It is naïve, because that is going to proceed no matter what, from corners of the world where simply it is to expensive to send Special Forces or "contractors" and mercenaries.
It is harmful, because it places American technology under the shackles of a few entertainment houses, the same ones that were unable to take advantage of the internet phenomenon, the same ones that eschew technology and place easy profits instead of their consumer. If the Supreme Court limits technological innovation in the USA, rest assured, somebody in Africa, Asia or Latin America is going to come up with the answer for a demand that will only grow.
It is dangerous because, in their zeal to protect the rights to Mickey Mouse, the Court is allowing companies to intrude, invade and trounce upon the rights of citizens - the Court effectively renouncing their role, and becoming facilitators for more invasions of privacy.

And in ten years, we will be seeing the grokster of the time in the stock exchange making a killing. Only that it won't be and American company.

grokster: US vs the world

Ben Hammersley points to the recent Supreme Court decision declaring grokster liable for the file swapping, torture in Abu Ghraib and all ills in the world.
Ben notes that US law may not apply elsewhere in the world, leaving other countries free to apply this technology in whichever way they conceive it is best.

However it is applicable to note that, in the past, countries such as the UK (and perhaps the USA, I don't know) have arrogated upon themselves the right to police and enact laws that might seem unjust in other parts of the world. One example that comes to mind is the old UK Admiralty law that allows the UK to render judgment al over the world on matters maritime (or something to that effect).

So, this is possible, and it has been applied before.

What Ben writes, though, is intrinsically correct: there are a whole lot of other countries out there that might understand that the benefit of having a new technology far outpaces the costly and draconian provisions designed to maintain an obsolete business model and an extremely inefficient industry afloat.

Case in point: we are paying US$20 per CD so Britney can choke herself on cocaine (not that Britney, the other one) and to sustain Dylan's rehab clinic costs. Really, what kind of industry thrives on the self-destructing habits of their stars? What is more, why should I, consumer, pay for that?

Up until very recently the entertainment industry has banked in precious few things: the oligopolic nature of the market, in which a very few companies control the content, the distribution channels.
But this happens because the state of communication on times past allowed only a very few select acts to make it to the fore, and the prohibitive costs of recording, pressing and then pushing through the radio and TV those selected acts meant that, in effect, the barriers to entry were, for all practical purposes, insurmountable: only a company willing to spend millions on a new singer will actually see money coming back to them.

What breaks that model? Well, we have more stars now, ie, less celebrities, and more quacks that display less talent than a band of monkeys. The recording houses have a dizzying array of low quality acts, and keep on publishing even more. Low standards for all, and therefore, discontent disillusioned consumers.

And we got broadband and an amazing way to share, look for, and publish the information that we like. Suddenly, the music industry model became a conversation, an old school market with participating agents and haggling and bargaining.

See, there is no point in trying to push Britney at $20 per CD, while allowing Liz Wright to languish unheard in a corner of the store. We, the audience, will inevitably gravitate towards quality.

Other thing, to which Cory Doctorow was pointing regarding his book and sources of income, is that if distribution of the work is not paid, the artist has to go out there and contact with the public, making the concert the point of confluence of spectators and artist, money coming from the experience of sharing that show with a bunch of other people. We regain the amphitheater, the pack of humans cheering at the artist. It is who we are.

In conclusion, to pretend that a single ruling may obliterate the technological and social pressures that have shaped sharing of content is naïve, harmful and dangerous.
It is naïve, because that is going to proceed no matter what, from corners of the world where simply it is to expensive to send Special Forces or "contractors" and mercenaries.
It is harmful, because it places American technology under the shackles of a few entertainment houses, the same ones that were unable to take advantage of the internet phenomenon, the same ones that eschew technology and place easy profits instead of their consumer. If the Supreme Court limits technological innovation in the USA, rest assured, somebody in Africa, Asia or Latin America is going to come up with the answer for a demand that will only grow.
It is dangerous because, in their zeal to protect the rights to Mickey Mouse, the Court is allowing companies to intrude, invade and trounce upon the rights of citizens - the Court effectively renouncing their role, and becoming facilitators for more invasions of privacy.

And in ten years, we will be seeing the grokster of the time in the stock exchange making a killing. Only that it won't be and American company.

June 2, 2005

Linux Mafia

 tuxavatar.jpg Nothing more stupid than to ascribe evil powers to a group of users. Enderle, however, tries unsuccessfully, in his article at Technology News, comparing Linux knowledge workers to a mafia that is slowly awakening, with untold powers.
It is a stupid article, dumb to the point of being humorous. It is full of FUD and erroneous facts and exaggerated claims.

But I link to it because, in a sense, it is also true.

Let me expose my point:
Check Kevin Kelly's , which explains a little stry about ants and bees, you may find this

Compare that distributed group to that organization that, truly, has

... penetrated most technical schools, government IT shops, and technology companies. Its membership, while not officially listed, is easily in the millions of people who believe in or support their version of the concept ...

Enderle uses these words to attack Linux and Open Source proponents, but what he describes is what could be Microsoft, Oracle and the like: powerful organized entities that can, and do, affect entire companies, governments and media. These are the ones that have access to your banking accounts and your passwords: these are the companies that know what you write and where you live; these are the companies that could, if they so desired, exert a great deal of control over your life and decisions. To an extent, they do already.

The power of the linux and open source movement lies in that it devolves power to the individuals, who, through disagreement and discussion, reach decisions that benefit the majority. It is very difficult to have hidden agendas while discussing all in the open.

So, there is no Mob, but a distributed thinking group that reaches decisions with complexity and in an inefficient manner, but that allows for a greater good - the group itself polices its own identity and direction. It has its own specialists, scouts, thinkers, pioneers, but they are as much a part of the group as anybody else, and in the same place as others. Their power resides in the group, thus making the open source syndicate, if anything, the most democratic, just and egalitarian un-organization in the world.

Via /.

April 20, 2005

No patents!

The creators of famous MySQL area against patents, and of course, I think the are on the right track:

Widenius: [Patents] just stall innovation. Look at an extension of patents. I don't see any difference in a software program and a recipe in a book. It's the same thing to me as a programmer. It's them saying, "You're not allowed to write the sentence you're writing right now because somebody patented it."

Patents, as they are understood now, are an extrapolation of the fallacy about the tragedy commons, and more like an extension of the feudal territory of times past, or the guild knowledge of the medieval economy: a way to maintain secrecy and competition to a minimum, so as to protect inefficiencies and raise the barriers to entry in any market.
Basically, this occurs when the profits start decreasing, the firm loses its competitiveness - or its product becomes a commodity - and seeing innovation as an impossible path, they resort to secrecy and restrictions.
Homework: What are the comparative benefits of having a corpus in the public domain, or with a GPL, as opposed to have in under the aegis of single patent under one corporate owner? Who benefits the most?

February 9, 2005

Napster limits and music experience

hmvbldog.jpgDaring Fireball (John) points to the small print in Napster service, and a scary one it is: You own nothing, and you are tied for life to the service.

On the other hand, let's say I got my music from CDs, and from used vinyl records that are around for $1 a piece. Just ripping from those, I can have all the music I want, free of dreadful DRMs and similar.

I may go to a garage sale, and get all the music from the original owners, in CD, and still get a fabulous deal. I might go to a used CDs from a college store and get all the discarded pop and some better tunes.

The recording industry needs me, user, to listen to top forty and billboard albums, in order to sustain their coke-addled and sex addicted musicians: groupies are expensive, you know. However, I have other resources, and thus I get gifts from friends, and mix CDs, and the like. If I do not listen to Clear Channel at all, then DRM schemes and business models are completely adverse to my music experience. If I am a eclectic listener, it is through a network that I get my music, instead of one (corporate) channel. Surprisingly, the same applies if I am a highly specialized listener, say, one that only likes goa and therefore has to proceed through a tight network of musicians and listeners.
For the great mass of indiscriminating listeners, though, or the people that have to have the latest album by Lindsay Lohan in order to be hip, the associated costs of purchasing music through DRM biz models are part of their expense: they are cultivating an image, and knowingly spending money in limited music and dubious quality.
Then again, what happens when music, as pointed put by John Gruber, becomes experience instead of status or fashion? We listen to music that is not current because its appreciation is internal, and therefore according to our own criteria. As we go past the stage in which we consume for approval and start to search for ourselves (At least music seems to be one good that is free of that conspicuous consumption meme by Veblen), we want the concrete good in our hands, not some shady and unestablished service.

All in all, I am a fairly atypical user. And my music costs me very little.

July 28, 2004

Sidestepper

I like the copyright notice from Sidestepper

No a la Pirateria, No falte a la verdad, No copie este CD excepto por razones estrictamente poéticas

No to piracy, never falter from truth, do not copy this CD except for strictly poetic reasons.

June 21, 2004

Chuang Tzu on copyright

Although we can see the world in the teachings of Taoist Master Chuang-tzu, I choose to see an argument for open source here:

The precautions taken against thieves who open trunks, search bags, or ransack tills, consist in securing with cords and fastening with bolts and locks. This is what the world calls wit. But a strong thief comes and carries off the till on his shoulders, with box and bag, and runs away with them. His only fear is that the cords and locks should not be strong enough! Therefore, does not what the world used to call wit simply amount to saving up for the strong thief? And I venture to state that nothing of that which the world calls wit is otherwise than saving up for strong thieves; and nothing of that which the world calls sage wisdom is other than hoarding up for strong thieves.

As Cory Doctorow said.

June 18, 2004

Cory's talk

Cory Doctorow talks to Microsoft about why DRM is bad and this is the part I loved:

This is the overweening characteristic of every single successful new medium: it is true to itself. The Luther Bible didn't succeed on the axes that made a hand-copied monk Bible valuable: they were ugly, they weren't in Church Latin, they weren't read aloud by someone who could interpret it for his lay audience, they didn't represent years of devoted-with-a-capital-D labor by someone who had given his life over to God. The thing that made the Luther Bible a success was its scalability: it was more popular because it was more proliferate: all success factors for a new medium pale beside its profligacy. The most successful organisms on earth are those that reproduce the most: bugs and bacteria, nematodes and virii. Reproduction is the best of all survival strategies.

October 5, 2003

Malware -Earthstation 5

Checking My Life As A Fischer, I found that Earthstation 5 actually has malicious code wthat would allow others to delete any file that you could be sharing: read it all here.
And I agree with Fischer misgivings, this could easily be a honeypot for sharers.

September 29, 2003

Music Match Makers

Will Musicmatch be another horriful experiment in DRM, or will it really offer an alternative to Justin Timberlake and the like?

PS I know horriful is not on your vocabulary.

UPDATE: Question: How would my ISP like this? They already disconnect me when I get close to being too much of a downloader. And that is only for the legal stuff!

September 11, 2003

Focus group

Just when you thought that it couldn't get any more surreal, after the RIAA went after a 12 year old girl, now it happens that the record companies rely on Kazaa and other P2P for their market analysis:

"The fact is, P2P is a likely distribution channel for our wares," says Jed Simon, head of new media for DreamWorks Records. "If we're going to be intelligent businesspeople, it behooves us to understand it." BigChampagne is happy to provide that understanding, even if it has to operate on the sly.

Once the trend gets incorporated into the business model, the music companies will have to accept that the consumers have their say. Meanwhile, there is going to be turmoil as they try to unravel the power plays at the music companies, between those advocating the old authoritarian way, and those that agree on giving the consumer a more participatory role on the selection and qualification of music and artists.
UPDATE: An excellent article by Michael S. Malone on Hispanic Business, criticizing the ambivalent and corrupt image of the music execs, that thrive on corruption and the negation of values, yet claim the moral ground when dealing with swappers.

May 21, 2003

Puretunes

One more service trying to push songs to the waiting masses, this Puretunes, based in Spain, will try to do what many others have found impossible.
Their approach seems to be working, though, as the first thing you find in their homepage is a free 25 songs downlad. Try., For free. Then you can download all you want by 3.99.

Note that the Puretunes MP3 Downloader contains NO DRM, NO spyware, NO ads, and NO bundled applications.

My broadband is going to scream at the chance!
It is interesting to see, though, how varied is their music - major labels do not intrerest me. I want obscure music, old albums, long ago released and forgotten tunes. Music that comes with dust on the cover and scratches on the surface, fading colors and music that is a memory.

May 20, 2003

Alphabet as patrimony of humanity (World Heritage)

This initiative from Quinto Stato, inviting everyone to resist the push for privatization of the ideas and concepts that belong to us all, the alphabet, our genetic codes, the information that has passed to us through the centuries.
In Italian.

February 13, 2003

MusicBrainz

role modelAnd this seems to be your MP3s on MusicBrainz
Are these people for real? Who sponsors them? Am I being paranoid? Were the RIAA to get all the names and numbers from all of ... them file swappers, they could do worse than to set up a honeypot site that could look similar to this, getting stats, connections, filenames and market research from its potential copyright infringers.
So I am to deferr my registration until this gets certified via the web and the blogs. Meanwhile, I can deal with the CDDB just fine.
Yes, just because I am paranoid doesn't mean they are not out to get you.
via Hack the planet

January 24, 2003

Alienating consumers, ISPs

The absolute disregard for the consumer, their reason for being, is what is going to cause Rosen and her industry a major and swift redefinition of their business model.

"Well, Ms. Rosen, I'll tell you what: You forward all your e-mail unedited to a public mailing list, scan and post all your private written correspondence to the same list, give us all-read access to your hard drives and post 24-7 webcams in your boudoir and bathroom, and then I'll believe you understand the invasion of privacy your shrill insistence on flushing what's left of the Constitution down the toilet entails," Ferrell suggested.

Prior to that, a federal judge ordered Verizon to comply with a request from the RIAA.

"The court's decision has troubling ramifications for consumers, service providers and the growth of the Internet," said Sara Deutsch, vice president and associate general counsel for Verizon. "It opens the door for anyone who makes a mere allegation of copyright infringement to gain complete access to private subscriber information without the due process protections afforded by the courts.".

Verizon is protecting its business as well. As soon as it gets identified as a leaky ISP, its usefulness vanishes, because then everybody claiming copyright theft can access you, or your files. That would make that ISP provider irrelevant.

Unless of course, somebody from the RIAA has money invested in Verizon, and wants the suit to go down the toilet. As soon as they lose, their stock soars, they cash out and live ever happily in retirement with their family.

January 20, 2003

Another copyright wackiness

From Aaron Swartz (which sounds like a Medieval Monk, but anyway) this link about a company, SBC, claims they own Patent on Internal links and Includes

SBC Communications claims they own Patent on Internal links and Includes, threatens to sue the little guys first, then move to the big guys.

What's this? Some CEO over there had an attack of corporate greed, or did they lost their senses altogether?
The copyright protects, as Prof. Lessig points out, is about specific expression of ideas and facts, and never on those ideas or facts.

January 19, 2003

Mickey vs Da Vinci


Protecting Mickey Mouse at Art's Expense

The Supreme Court decided this week that the Constitution grants Congress an essentially unreviewable discretion to set the lengths of copyright protections however long it wants, and even to extend them.

Arthur C Clarke had a story about a species thah come to earth after an unrelenting ice age has erased all memory of our species. All they find is a tin can, with Steamboat Willie, featuring Mickey Mouse, in it.

They proceed to asume that we were all thin, had two big ears, four fingers, and that our copyrights never expired.

Arthur C Clarke is a visionary, man!

January 18, 2003

Old dog tricks

Aaron has some tips to authors that have
Jonathon Delacour not so happy, perhaps because tip No. 5 centers on abandoning a proved method of making money.
However, I remember Umberto Eco, in his book Foucault' Pendulum, talking abouth the difficulties an author has for ever seeing a cent of the money they invest in any book they might see published.
I am all in favor of copyright. And, certainly, do not see the advantage of working for free. However, unless you are a highly fashionable author, or an incredible successful one, you are not probably going to eb making money out of those books you publish, so, why not give them to the public domain?
Then again, if you are not successful, why would anyone want to read those?

File this under the "Prove the point for the other side" Category.

December 20, 2002

Consumer rights, sues

File an antitrust suit against the music industry. That is, if you bought a CD between 1995 and 2000.

Do not delay, you only have until March 2003, which is quite a short time.

November 23, 2002

RIAA gone Jackson

THe RIAA has gone Michael Jackson on its ridiculous persecution of so called piracy, dangling open letters to the President of Mexico and blaming the city noise on the existence of a few boomboxes.

Could we please blame Saddam as well, for his capaign, and get the iPods out of the National Parks, not the ATVs, and please, if you drive a Harley Davidson while listening to your pirated mp3s, please turn off the player. The noise of your pirated music is unbearable.

What next, should the RIAA blame pirated music for the existence of blogs?

September 10, 2002

Linux on LA (Latin America)

I was just reading the NY Times (quite obvious today, isn’t it?) and I found this article on Balancing Linux and Microsoft. Of course, one of the strong points of the whole Microsoft empire is the ability to push its product past legislations and public interest in many countries, and impose the use of Windows OS in government initiatives.

However, and no matter how rich a group might be, there are other realities with which to contend on Third World countries (Not that I like that denomination, but let’s move on).

One harsh fact of life is that, while the resources exist, any government is able to keep on buying Microsoft licenses and supplying schools and hospitals with closed source software. It doesn’t matter that the other system may be easier, or more stable, or cheaper. Just the very suggestion that Linux is a good alternative to poorly managed state enterprises implies that the politicians are less than the perfect, altruistic, visionaries they think they are: By saying that they should buy something that is independent of their volatile budgets and fickle policies, the Linux community is accusing them of being so.

However, the politicians and their centralized programs are like that, fickle, short lived, and dependent on the current favorite flavor of the person in office. That is what might give Linux a leg up.

With previous work in government agencies, one constant was the ability to come up with ingenuous plans to buy prepackaged solutions from biog vendors, only to have them all declared obsolete four years later due to the change in wither the party in power or the particular head of the project. Pretty soon, all hardware, from expensive CAT machines to simply PCs, sits idle, rusts and becomes basement filler.

Why? Say the party in power comes with new ideas, trying to devour the dinosaurs of old. Which happens. The projects that have no accountability are the first to suffer, the ones that give funds to the rival within the party.
Or say that there is a shift in party: More the reason to get rid of the initiative proposed by those leaving, since it means freeing funds, erasing the voters memories and having the slate free for new business and projects that can enrich the new governments pockets. You know, corruption.

This is where Linux becomes strong, because it bypasses the temporary government efforts and allows the user base to develop ideas and projects with severely limited funds: Long after the former president is an ambassador in Spain, the same old first grade teacher will be struggling with her wards, trying to teach them using a computer. Long after the former Secretary of Health has been indicted on charges of misappropriation of funds the same old hospital, with the same doctors and managers, will have to make do with whatever is it that they have: Probably a very old set of computers, antiquated software and no budget.

That is what Linux does best: It comes in long after the innovation common in the corporative USA has left in the dust whatever solution is it that the small players could afford. And when your database application has become legacy, there is a high probability that some Linux app will have a conversion tool, precisely made for that kind of file.

You see, the Corporate World buys Microsoft because it can afford it. The current Presidents of Mexico and Peru buy Microsoft because they are paladins of integrity and long vision. However, in four years, the users of those systems will have an option. As a matter of fact, they are aware of that now.

May 26, 2002

Entertainment industry doesn't get it

Definitely, the entertainment industry doesn't get it. It is not about who owns the pathways to music, or how innovative their content may be. The prodcut of the entertainment industry has been turned into a commodity, and all their posturing and threats to their free distributors won't change it a bit.
The "extreme copyright" business model, by which a group owns all rights to a particualr creation, is evolving to another in which collaboration and sharing are much more productive that restricted distribution. It is a simple as availability:
Whenever you are downloading a song, or an image, and suddely Mickey Mouse (tm) pops up and demands your acquiescence to the draconian rules of use the owners of said rat might wnat to impose on you, you as a user have the option to go and download the work of some other rat, not so self-conscious about appering in countless arenas. And since we are talking about the spread of a meme, by which the easiest ones to reproduce preserve themselves, it is easy to see who will be the winners on the long run.
This absurd fight of the media industry to regain absolute prominence reminds me of the efforts of the Catholic Church before Lutero, when they were the sole interprets of the Bible, and any other interpretation of the doctrine was severely persecuted and punished. Oh, yeah, the Inquisition held its power in what is known now as thirld World countries, specially America Latina, and fostered a culture of deception, corruption and restricted civill liberties. But as a result of that, other people were able to capitalize on the success of the extractive activities of the Spaniards on the New World. And a whole New Woreld was born.

Can you say Free Content?